At PICA we recognise that we are situated within the unceded lands of the Whadjuk people of the Noongar Nation. We pay our respects and offer our gratitude to Elders past and present. We acknowledge all Aboriginal and Torres Strait Islander people and the importance of their care and continued connection to culture, community and Country.

Always was, always will be.

Galleries are open 12–5pm. Our exhibitions are always free.

Jumana Manna

Foragers

Foragers

’Akkoub and za’atar are two wild edible plants essential to Palestinian life. Growing natively in microclimates across Palestine, their foraging, cooking and sharing have helped sustain the health and cultural traditions of indigenous communities for thousands of years.

Since 1977, these plants—along with several others—have gradually been placed under environmental protection by the Israel Nature and Parks Authority. While cultivated versions remain available, this legislation has restricted Palestinians’ longstanding foraging practices and connections to the land.

Filmed across the Golan Heights, the Galilee and Jerusalem, Jumana Manna’s Foragers (2022) blends fiction, documentary and archival footage to examine how settler-colonial laws reshape access to land, food and cultural practice. In Manna’s words, the film asks, ‘what is made extinct and what gets to live on; who gets to decide the fate of herb-picking cultures.’ 

Foragers presents food as a vessel for family and community histories tied to land. At the same time, it exposes the paradox of preservation: that laws claiming to protect nature can restrict the living practices through which communities sustain knowledge, autonomy and relation to place.

About the artist

Jumana Manna is a visual artist and filmmaker based in Jerusalem and Berlin. Her work explores articulations of power through the body, land and materiality in relation to colonial inheritances and histories of place. Moving between film, abstract sculpture and collage, Manna examines how performing bodies, material fragments and landscapes desire and narrate pasts, presents and futures that exceed the violences imposed upon them. Her work engages the paradoxes of preservation—particularly in relation to land practices and the law—probing the tension between modernist traditions of categorisation and conservation and the unruliness of ruination, life and regeneration. Manna is Moving Image Associate Chair at Bard University’s MFA program, Annandale-on-Hudson, NY. She was previously a visiting lecturer at Harvard University and the Academy of Fine Arts Munich, and has taught at Homeworks Space Program, Beirut and Birzeit University, Palestine. She is represented by Hollybush Gardens Gallery, London. 

Manna’s recent solo exhibitions include Jumana Manna, Collection Lambert, Avignon (2026); Sebastia, a large-scale public art commission for the Norwegian Government Quarter, Oslo (2026); Your Time Passes and Mine Has No Ends, Hollybush Gardens, London (2026); Break, Take, Erase, Tally (touring), Rialto6, Lisbon; Kunsthall Stavanger; Wexner Center for the Arts, Columbus; MoMA PS1, New York (2022–2024); Preservation Paradox, Matadero Madrid (2022); Foragers, Hollybush Gardens, London (2022); Jumana Manna / MATRIX 278, Berkeley Art Museum and Pacific Film Archive, San Francisco (2021); Sketch and Bread, Balade Berlin-Charlottenburg, Villa Oppenheim, Berlin (2021); Thirty Plumbers in the Belly, M HKA – Museum of Contemporary Art, Antwerp (2021); Jumana Manna, Hollybush Gardens, London (2021).


Supporters

Foragers was co-commissioned by Berkeley Art Museum and Pacific Film Archive, BAK basis voor actuele kunst, Utrecht and the Toronto Biennial of Art. The project was supported by the Arab Fund for Arts and Culture, the Fritt Ord Foundation and Arts Council Norway (Kulturrådet).