At PICA we recognise that we are situated within the unceded lands of the Whadjuk people of the Noongar Nation. We pay our respects and offer our gratitude to Elders past and present. We acknowledge all Aboriginal and Torres Strait Islander people and the importance of their care and continued connection to culture, community and Country.

Always was, always will be.

Galleries are closed for install. Join us for PICA After Hours: Opening Night on Friday 16 October. Our exhibitions are always free.

Grace Connors, Barbara Hostalek, Sukhjit Kaur Khalsa, Sarah Rodigari

On Labour: Four Live Works  

On Labour: Four Live Works  

On Labour: Four Live Works is a program of live performance informed by the practices and lived experiences of four contemporary artists, including Grace Connors, Barbara Hostalek, Sukhjit Kaur Khalsa and Sarah Rodigari—each working at the intersection of visual art, performance and the written word.  

On Labour considers the notion of ‘labour’ as both a creative and economic activity—as well as the tensions that exist between these two understandings of the term. The title gestures towards multiple registers of work: paid and unpaid, visible and invisible, physical and emotional. Presented in a historical moment defined by economic uncertainty and precarity, On Labour confronts the uneven economies that shape creative practice, including the exhaustion and precarity of freelance life, the politics of care, and both the intellectual and physical demands of performing the self. 

Together, the artists’ practices variously trace the entanglements of labour and identity. Through performance—encompassing movement, poetry, pathos and humour—they raise questions including whose labour counts, under what conditions, and what constitutes ‘work’? Unfolding one after another, the performances in On Labour collectively consider how art might reconfigure our relationships to time, labour and one another; and ask how, in moments of exhaustion and uncertainty, performance can offer not only critique, but solidarity and hope. 

On Labour unfolds throughout the PICA building over three nights, during a period between exhibition changeovers. This interstitial occupation of the space reimagines the gallery as a non-traditional performance venue. A reflection of the often-scarce availability of performance spaces for artists, On Labour transforms constraint into a generative condition, reflecting the adaptability and resourcefulness demanded of artists today. 

Season Dates/ Times 
Thursday 2 July 7:00pm
Friday 3 July 7:00pm
Saturday 4 July 7:00pm

Duration 
100 minutes (including an interval) 

Recommended 
Ages 15+  

Content Warning 
Course language and financial trauma

Tickets are available online until one hour before show start –then check with venue Box Office. Performances will take place across the building, patrons will be directed by venue staff.

Each event space is wheelchair accessible. Please contact us at (08) 9228 6300 or info@pica.org.au for any access requirements.

About the artists

Grace Connors is an artist and curator working within the visual and performing arts sector. She has exhibited across Australia since 2016, with her practice predominantly performance–based and oriented towards storytelling, kinship and collaboration. She performed at Hobiennale in 2017 with the performance featured in Frieze Magazine. She has presented performance lectures at UWA Gender Diversity in Music and Art Conference 2019 and Revelation Film Festival Academic Conference in 2018. Connors has undertaken studio residencies at Midland Junction Arts Centre in 2020, and has been artist in residence at PICA in 2019, 2025 and 2026. Her current work, Bluebird23 is undergoing creative development with APHIDS (VIC) including as part of their Supermassive program, the inaugural ODYSSEY ODYSSEY, 2025, with further development through the newly formed Experimental Commissioning Consortium, supported by PICA. 

Barbara Hostalek is a poet and playwright of Yawuru and Gija Aboriginal heritage, born and raised up on Larrakia Country (Darwin) and now based in Boorloo (Perth). Following studies in veterinary science, Hostalek began to write short plays whilst participating in Yirra Yaakin Theatre Company’s Writer’s Group in 2015. Since then, she has expanded her playwrighting craft to include poetry, reviews and spoken word performance. Hostalek’s recent short plays include Perpetuity (2020); Prickly (2021) and ASK (2024). In 2020, Black Swan State Theatre Company produced a series of her monologues Unsung Heroes: Own Way (2020) and her work Banned was adapted for radio by ABC RN Fictions. Independent collaborative productions include: ASK (2025, The Blue Room Theatre) and Standing Tall Yorga (2025). THIRST, written by Hostalek for Yirra Yaakin went on tour to outer and regional WA in 2025.

Sukhjit Kaur Khalsa OAM is a Boorloo-based writer, performer, producer and cultural leader whose work has redefined contemporary Australian storytelling, earning her the Medal of the Order of Australia (OAM) in 2025. Across the past decade, she has earned recognition from the Performing Arts WA Awards (2020), Mona Brand Writing Awards (2022), WA Multicultural Awards (2022) and the Australian Sikh Awards (2023). Her stage and screen journey began as a finalist in the Australian Poetry Slam (2014), semi-finalist on Australia’s Got Talent (2016) and winner of The Moth GrandSLAM (2019). She premiered her sell-out show Fully Sikh (Barking Gecko Theatre Company and Black Swan Theatre Company, 2019), was a storytelling trainer at the Centre for Stories (2018–23), released her debut hip-hop single Collectables (2023) and her debut novel Fully Sikh: hot chips and turmeric stains (Upswell Publishing, 2025). Sukhjit is an alumna of Ron Howard’s talent lab, Impact Australia (2020), Theatre Producers of Colour Broadway program (2023) and the Creative Australia Leadership program (2024–2025) and is currently the CEO of The Blue Room Theatre. 

Sarah Rodigari is an artist whose practice addresses the social and political potential of art. Sarah’s work is site-responsive, employing durational live action, improvisation and dialogical methodologies to produce text-based performance and installations. Rodigari has worked with and within various contexts and institutions. These include the Museum of Contemporary Art, Sydney, the 20th Biennale of Sydney, Monash University Museum of Art, Melbourne International Arts Festival, Australian Centre for Contemporary Art, The Poetry Project (NYC) and SOMA (Mexico City). Rodigari teaches Sculpture and Spatial Practice at the School of Art and Design, Australian National University on Ngunnawal and Ngambri country.


Supporters

Supported by PICA’s Director’s Circle and by Strategic Initiative Funding from the Department of Creative Industries, Tourism and Sport.