At PICA we recognise that we are situated within the unceded lands of the Whadjuk people of the Noongar Nation. We pay our respects and offer our gratitude to Elders past and present, and to those emerging leaders in the community. We acknowledge all Aboriginal and Torres Strait Islander people and the importance of their care and continued connection to culture, community and Country.

Always was, always will be.

Galleries are open today, 10am–5pm. Our exhibitions are always free.

Darcey Bella Arnold, Lauren Burrow, Sarah Elson, Tom Freeman, D Harding, Kate Harding, Zali Morgan

In Her Footsteps: A Tribute to Matrilineal Legacy

In Her Footsteps: A Tribute to Matrilineal Legacy

In Her Footsteps: A Tribute to Matrilineal Legacy brings together seven Australian artists who pay homage to the women who have shaped their lives—grandmothers, mothers, artistic matriarchs, leaders, ancestors and forebears. It celebrates and acknowledges the vital, transformative and nurturing pathways these women have forged, delving into themes of activism and empowerment through a compelling mix of new and existing works. 

The exhibition starts with Zali Morgan, a Whadjuk, Ballardong and Wilman Noongar artist, whose prints and textiles honour Yooreel Fanny Balbuk, a Whadjuk Noongar woman whose defiant walk along her traditional bidi (track) persisted amidst the encroaching colonialism that reshaped her Boorloo homelands. Lauren Burrow’s sculptures examine the radical life of eco-feminist Val Plumwood, underscoring her enduring legacy and its influence on contemporary artists and thinkers grappling with ecological accountability. Sarah Elson’s intricate sculptures evoke the earth as a nurturing mother, employing materials and collecting practices that speak to intergenerational connections to place. Tom Freeman’s distinctive paintings address personal family history, threading memory, nostalgia and connection. Darcey Bella Arnold has long worked with her mother Jennifer’s experience of living with aphasia, using painting and language to create poignant forms of memory-making.  And, Bidjara, Ghungalu and Garingbal artists D Harding and Kate Harding carry forward the cultural legacies of their matrilineal ties to the Carnarvon Gorge, working with textiles to honour significant personal experiences, weave stories and uphold cultural traditions. 

This group exhibition not only highlights the profound impact of these influential women but also invites audiences to engage with the rich and varied practices of Australian artists, offering insights into the intersections of culture, memory and identity. 

About the Artists

Darcey Bella Arnold
Working with painting, drawing and sculpture, Naarm (Melbourne) based artist Darcey Bella Arnold’s practice is informed by experience and research. Beginning with the personal as a point of departure, her work drifts between language, art history and pedagogical theses. Darcey has an extensive exhibition history, recently showing at La Trobe Art Institute, Bendigo and the Institute of Modern Art, Brisbane along with group exhibitions in Australia, New Zealand and Sweden. She was a 2020-2022 Gertrude Contemporary studio artist and was awarded the Gertrude Contemporary supported residency at DESA, Ubud, Bali, Indonesia (2024). Darcey Bella Arnold is represented by ReadingRoom in Naarm (Melbourne).

Lauren Burrow
Lauren Burrow is a recent Anne and Gordon Samstag International Visual Arts Scholarship recipient (2023-24) and current candidate in the PhD program at Monash University. Through sculpture and installation, Burrow uses discarded materials such as glass, plastic and water to investigate the flow between the urban and the rural, the individual and the collective and the human and the ecological. Lauren has held solo exhibitions at Pli, Munich (2022); Holden Garage, Berlin (2021) and TCB Art Inc., Melbourne (2019). Her work has been included in group exhibitions at LaTrobe Art Institute, Bendigo (2024), Queensland Art Gallery | Gallery of Modern Art, Brisbane (2023), Australian Centre for Contemporary Art, Melbourne (2021) and Hessel Museum of Art, New York (2021).

Sarah Elson
Western Australian artist Sarah Elson’s practice examines the nature of preciousness and the preciousness of nature. She has pursued an interest in traditional metalsmithing and its use in contemporary visual arts practice for 25 years. For Elson, the act of making is a meditation on growth that is realised through the fluid potential of a medium often perceived as static. Elson is a recipient of a Samstag Scholarship International Visual Art Scholarship and holds a Masters in Fine Art from the Chelsea School of Art and Design, London. Elson has exhibited nationally and internationally, and her work is held in many public and private collections, including the Art Gallery of Western Australia, Curtin University, Edith Cowan University and the Janet Holmes à Court Collection. In 2024 she was the winner of the Mandorla Art Award. Sarah Elson is a member of Art Collective WA, Perth.

Tom Freeman
Walyalup (Fremantle)-based artist Tom Freeman’s practice spans various forms of painting, drawing, ceramics and sculptural installation. Driven by a fascination and exploration of materials and processes, his work traverses both 2D and 3D processes across many varied materials, guided by an investigative playfulness and the enjoyment of discovery. Freeman’s recent solo and group exhibitions include Spacingout, Art Gallery of Western Australia, Perth (2023), Teaching a stone to talk, Art Collective WA, Perth (2022), Abstracted, Perth Centre for Photography (2019) and Ramsay Art Prize, Art Gallery of South Australia, Adelaide (2019). Freeman’s works are included in numerous public collections, including the Art Gallery of Western Australia, Curtin University, City of Fremantle and Queensland University of Technology.

D Harding
Meanjin (Brisbane)–based artist D Harding works in a wide variety of media to explore the visual and social languages of their communities as cultural continuum. A descendant of the Bidjara, Ghungalu and Garingbal peoples, they draw upon and maintain the spiritual and philosophical sensibilities of their cultural inheritance within the framework of contemporary art Internationally.Their work can be found in the collections of the Art Institute of Chicago; MCA/Tate Modern, London; Griffith University Art Collection, Brisbane; Queensland Art Gallery ǀ Gallery of Modern Art, Brisbane; University of Queensland Art Museum, Brisbane; Museum of Contemporary Art Australia, Sydney; Art Gallery of New South Wales, Sydney; and National Gallery of Australia, Canberra. 

Harding is represented by Milani Gallery, Meanjin/Brisbane. 

Kate Harding
Kate Harding lives and works in Ilbilbie (Sarina), Queensland, her parents were Bidjara and Ghungalu Elders, and she maintains her Garingbal matrilineal lineage. Working in a wide variety of textile media, Kate has specialised in embroidery techniques including Silk Ribbon embroidery and Stumpwork, natural textile dyes, and invigorating the practices surrounding her ancestral basketry and bag forms, specifically the Pityuri Bag. Kate has been central to social processes and working materially with D Harding in exhibitions nationally and internationally. 

Zali Morgan
Zali Morgan is a Noongar woman with ancestral connections to Whadjuk, Balladong, and Wilman Boodjar. Born and raised near Wooditchup on Wardandi Boodjar, she is now based near Boorloo. Morgan’s multidisciplinary practice spans printmaking, textiles, sculpture, curating and writing. Often questioning notions of place, Morgan’s practice engages with decolonial art and discourse within Australia through both figurative and abstract representations of her surroundings and history. In 2023, Morgan won the City of South Perth Emerging Art Prize and exhibited in REVEALED at Fremantle Art Centre. Her work has also been shown at Contemporary Art Space Mandurah, Kent Street Gallery and ArtSource. Zali was previously Assistant Curator of Indigenous Art at the Art Gallery of Western Australia and has curated exhibitions at John Curtin Gallery, Edith Cowan University Gallery and Bunbury Regional Art Gallery. 


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