At PICA we recognise that we are situated within the unceded lands of the Whadjuk people of the Noongar Nation. We pay our respects and offer our gratitude to Elders past and present. We acknowledge all Aboriginal and Torres Strait Islander people and the importance of their care and continued connection to culture, community and Country.

Always was, always will be.

Galleries are open 12–5pm. Our exhibitions are always free.

PICA After Dark: Kambarang-Birak Opening Night

PICA After Dark: Kambarang-Birak Opening Night

This Kambarang-Birak season, PICA invites you to experience a powerful program of exhibitions that explore timely questions of home, place and migration in Australia.  

Join us on Thursday 16 October to celebrate PICA’s final exhibition season of 2025 and three urgent and deeply resonant exhibitions that speak to the personal, political and historical dimensions of belonging.

Second Generation Collective’s Vádyé Eshgh وادی عشق  (Valley of Love) is a major new commission developed with mentorship from artist Abdul-Rahman Abdullah. Inspired by the spiritual text The Seven Valleys, this multi-disciplinary work explores grief, memory and the enduring power of love. 

Curated by Jasmin Stephens, A Deceptively Simple Need by Alana Hunt considers the realities of daily life on unceded land, encouraging reflection on the universal need for a home. 

In SETTLED, Joel Sherwood Spring critically examines how new technologies are altering human ways of seeing and being, alongside the continued capitalist exploitation of Aboriginal culture. 

PICA After Dark will launch these exhibitions with an evening of reflection and celebration, including a Smoking Ceremony and Welcome to Country from Noongar Elder Sandra Harben, a Bahá’í blessing from members of Second Generation Collective and the premiere of Alana Hunt’s new commissioned film work the deceptively simple need for a home (on other people’s land) with an introduction provided by the artist. Celebrate with a complimentary drink in hand, generously provided by Cherubino Wines and Rocky Ridge Brewing Co. 

Accessibility Notice 
 
Please note that PICA’s lift is currently out of order. Access to upper-level galleries will be via the stairs only for this event. 

We sincerely apologise for any inconvenience this may cause and appreciate your patience as repairs are completed. Our team will be on hand throughout the event to assist where possible and ensure everyone can enjoy our public programs. 

Thank you for your understanding. 

Second Generation Collective, Vádyé Eshgh وادی عشق (Valley of Love) 2025, production still. Image courtesy of the artists.

Schedule: 

6pm: Exhibitions open
6:20pm: Welcome to Country, Smoking Ceremony and Bahá’í blessing 
7pm: Film premiere of the deceptively simple need for a home (on other people’s land) by Alana Hunt 
7:30pm: Film concludes 

Register below

About the artists

Alana Hunt is a non-Indigenous artist and writer, formerly based on Miriwoong Country in Kununurra and now on Gadigal Country, Sydney. Working across image, word, event and relationship, her practice challenges dominant histories and ideas in public and social spaces. Recent solo exhibitions include like blood thirsty mosquitoes with Jack Green, Cross Arts Projects, Sydney (2024); Surveilling a Crime Scene, NCCA, Darwin (2023) and group shows Dreams Nursed in Darkness (2024), Rural Utopias (2023–24), Photo Kathmandu (2023), Kaghazi Pairahan (2023), and Double Dummy (2023). Hunt has published artist books and essays in Hyperallergic, Artlink, Meanjin, Overland and exhibition catalogues.

Second Generation Collective was founded in 2020 by Iranian-Australian Baha’i video artist Elham Eshraghian-Haakansson and performer, theatre–maker and musician Asha Kiani in collaboration with emerging artists from the Iranian-Australian community in Boorloo (Perth). Comprising migrants who fled Iran during the 1979 Revolution and their children who have grown up on Noongar boodja, the Collective encourages those who were displaced to document, share and creatively express their stories as a means of healing collective traumas and bridging generational gaps. Recent projects include ÁVÁREHآواره & FOUND, PS Art Space, Fremantle as part of the Community Arts Network and Lotterywest’s Dream Plan Do ’20 supported by Propel Youth Arts, Centre for Stories and City of Fremantle (2021); 900s (Of Storytelling), Blue Room Theatre, Perth (2021); and Delara دل آرا, Carriageworks, Sydney in partnership with Runway Journal (2021).

Joel Sherwood Spring is a Wiradjuri anti-disciplinary artist who works collaboratively on projects that sit outside established notions of contemporary art and architecture, attempting to transfigure spatial dynamics of power through discourse, pedagogies, art, design and architectural practice. His discursive and spatial practice examines the contested narratives of Australia’s urban cultural and Indigenous history in the face of ongoing colonisation. Joel is currently preparing a Copyright Agency Partnership Commission with the Institute of Modern Art in Brisbane.


Supporters

PICA After Dark is generously supported by PICA’s Community Engagement Partners, City of Perth.