At PICA we recognise that we are situated within the unceded lands of the Whadjuk people of the Noongar Nation. We pay our respects and offer our gratitude to Elders past and present. We acknowledge all Aboriginal and Torres Strait Islander people and the importance of their care and continued connection to culture, community and Country.

Always was, always will be.

Galleries are open 12–5pm. Our exhibitions are always free.

Weekends at PICA: Kambarang

Weekends at PICA: Kambarang

PICA opens its final exhibitions of 2025 with an afternoon of exhibition tours, artist talks and facilitated discussions exploring notions of home, belonging and everyday life on unceded land. 

Join artist Alana Hunt and guest curator Jasmin Stephens for a tour of Alana Hunt’s exhibition A Deceptively Simple Need, a major new commission made possible through a Copyright Agency Partnership with PICA. This new work continues Hunt’s ongoing investigations into the so-called ‘Australian Dream’ of home ownership within a settler-colonial context.  

Following this, Second Generation Collective take you on an exploration of belonging, love and hope in their newly developed work Vádyé Eshgh وادی عشق  (Valley of Love), which brings together 20 emerging artists from the Iranian-Australian community in Perth. 

The day concludes with a timely panel discussion titled What Comes Next? featuring Alana Hunt, Asha Kiani,  lawyer Alice Pennycott and Marda Marda writer and researcher, Stephen Kinnane.  Together, they will reflect on housing, displacement and the complexities of everyday life on stolen land.  

Accessibility Notice 
 
Please note that PICA’s lift is currently out of order. Access to upper-level galleries will be via the stairs only for this event. 

We sincerely apologise for any inconvenience this may cause and appreciate your patience as repairs are completed. Our team will be on hand throughout the event to assist where possible and ensure everyone can enjoy our public programs. 

Thank you for your understanding. 

Weekends at PICA: Hatched Opening Weekend, Archie Moore Artist Talk, Forrest Chase, Perth Institute of Contemporary Arts (PICA), 2025. Photo: Olivia Pizzale-Bryce

Schedule: Saturday 18 October

12:30–1pm Exhibition Tour: A Deceptively Simple Need 

Join artist Alana Hunt and guest curator Jasmin Stephens for a tour of Hunt’s solo exhibition, A Deceptively Simple Need.   

Hunt probes ideas of home and land ownership within the framework of the so-called ‘Great Australian Dream’. Exploring these notions through archival research and lived experiences, her new commission reveals the layered and often invisible violences that underpin the everyday need for a home. This tour will offer an opportunity to explore the new work in-depth through a conversation between Alana and Jasmin. 

1:30–2pm Exhibition Tour: Vádyé Eshgh وادی عشق  (Valley of Love) 

Join Second Generation Collective for a tour of Vádyé Eshgh وادی عشق  (Valley of Love), a major new commission developed in collaboration with creative advisor Abdul-Rahman Abdullah.  

Rooted in the Collective’s dual identities and heritage, the work draws attention to the lived experiences of Iranian-Australian families and explores themes of collective trauma, intergenerational memory, grief and ultimately, love. In a tour led by Collective members Mandana Eizadi, Karmel Faithi, Asha Kiani, Araan Kousari, Khashayar Salmanzadeh and Ramona Zare, learn about the collaborative processes, personal archives and community connections that created the Collective’s work. 

2:30–3:30pm Panel Discussion: What Comes Next?

Exploring ideas of home, place and belonging in Australia, join us for a critical and timely conversation building on the themes of Alana Hunt’s A Deceptively Simple Need and Second Generation Collective’s Vádyé Eshgh وادی عشق  (Valley of Love). This panel brings together voices from across disciplines to consider how we navigate the basic human need for housing within a settler-colonial system. What does it mean to seek safety, stability or comfort on land that is not ours? 

Chaired by Steve Kinnane, a Marda Marda writer and researcher from Mirriwoong Country, the discussion features artist Alana Hunt, artist and co-founder of Second Generation Collective Asha Kiani and Alice Pennycott, Principal Lawyer (Tenancy) for Circle Green Community Legal.

Register Below:

About the artists

Alana Hunt is a non-indigenous artist and writer. Previously based on Miriwoong Country in the town of Kununurra, Hunt is currently living on Gadigal Country, Sydney. Working across image, word, event and relationship, her work sensitively challenges dominant ideas and histories in the public sphere and the social space between people.

Jasmin Stephens is an independent curator, mentor and lecturer in contemporary art in the Asia Pacific. Her context-responsive practice is shaped by the specificity of local relations and the breadth of international ideas.

Second Generation Collective was founded in 2020 by Iranian-Australian Baha’i video artist Elham Eshraghian-Haakansson and performer, theatre–maker and musician Asha Kiani in collaboration with emerging artists from the Iranian-Australian community in Boorloo (Perth). Comprising migrants who fled Iran during the 1979 Revolution and their children who have grown up on Noongar boodja, the Collective encourages those who were displaced to document, share and creatively express their stories as a means of healing collective traumas and bridging generational gaps.

Asha Kiani has been involved in storytelling projects with Centre for Stories, Perth Festival and Saga Sisterhood. In 2020, Kiani was awarded Best of The Blue Room Theatre, 600 Seconds, Perth Fringe World Festival for her debut work, Drift. Currently, Kiani works as a teaching artist for Barking Gecko Theatre Company, on the team at Blue Room Theatre and as a primary school teacher. She is also a member of Women of Music Production Perth (WOMPP) and is writing and producing her debut EP.

Khashayar Salmanzadeh is an Iranian-Australian artist based in Naarm/Melbourne. His practice addresses a gap in our contemporary understanding of self by exploring how paint materiality can be utilised to delineate the spiritual reality of the human condition. These paintings intertwine western techniques of portraiture with eastern traditions of calligraphy as an emerging aesthetic that reflects a contemporary experience of diaspora and displacement. The globalised world context his practice is situated within is framed by the writings of the Baháʼí Faith, a world religion originating in 19th century Iran, whose culturally and ethnically diverse adherents form the subjects of his portraits. Khashayar received his Honours in Fine Art at RMIT University in 2023. His work has been included in numerous national exhibitions and competitions such as the Blake Prize (2022, 2024), Clyde & Co Art Award (2024), the Lester Prize (2023) and Hatched: National Graduate Show (2023).

Araan Kousari has had the pleasure of contributing to multiple Second Generation Collective projects, exploring and developing various skill sets and mediums in the process. Previously, these have included music, poetry, drawing and photography. For Vádye Eshgh, Araan has digitised archival VHS footage from his parents’ home videos, recorded across Iran, Turkey and Australia. These videos showcase their culture, their journey of displacement and their evolving relationship with the concept of home.

Ramona Zare, a sculptor of clay, wood, cane and wire, delves into her Persian heritage through uniquely personal themes of generational displacement. Uncovering the hidden gems of being a second-generation Persian, she finds inspiration in natural forms and uplifting subject matter. Using her understanding of form, Ramonasculpts mediums into the universal language of beauty in the hopes of connecting hearts of diverse audiences. Currently on her last year of architecture at the University of WA, her interest in creating unique and iconic forms continues to develop to higher levels of conscious creativity.

Mandana Eizadi is an Iranian-Australian fine artist based in Boorloo/Perth. Her autobiographical work explores themes of power and control, patriarchy, female identity, trauma and cultural hybridity. Her work sits within the broader contemporary discourse in reference to societal issues relating to cultural indifferences towards gender-based violence. Through fibre-based and multidisciplinary processes, Mandana creates pieces that portray vessels retaining memory of lived experiences rooted in her Persian heritage. Using text throughout her artwork gives voice to the marginalised victims silenced by patriarchal systems.   By incorporating textiles and domestic materials into the making of her works and embedding them with cultural symbolism and calligraphy, Mandana aims to elevate women’s resilience in the domestic sphere, provoke dialogues about societal tolerance towards gender-based violence and intertwine her personal narrative and cultural background. Manadana’s work recent featured in the 2025 Hatched: National Graduate Show at PICA.

Yasamin Khadembashi (b. 1998, Perth WA) is an Iranian–Australian multidisciplinary artist working in Walyalup/Fremantle on Noongar Boodja. Her practice spans painting, sculpture, collage, textiles, tattooing and installation, often combining traditional and unorthodox materials such as oil paint piping, synthetic hair, rhinestones and metal leaf. Drawing on her family’s migration to Australia, Khadembashi reflects on the complexities of diasporic identity and the cultural shifts experienced by immigrant communities. Her work engages with political and cultural histories that have shaped both local and global understandings of identity and belonging – from the 1979 Iranian Revolution, to post-9/11 Islamophobia, the 2005 Cronulla riots, and the ongoing struggles highlighted by the 2022 Women, Life, Freedom movement. Through materially experimental processes, she explores the suppression of women’s and queer rights in Iran and across the SWANA (South West Asian & North African) region, magnifying experiences of isolation, vilification, and cultural survival while reclaiming identities forged through displacement and rebellion.

Khadembashi has exhibited nationally in exhibitions and prizes such as Home/Body at Artsource (2022), the Mosman Art Award (2022), Safe Space at ANUSA BIPOC (2022), the Redland Art Award (2022), the Calleen Art Award (2022) and In Spite (of) at Nyisztor Studio Fremantle (2025). In 2024 she undertook residencies at Lake Macquarie City Council and Midland Junction Arts Centre. Her recent achievements include the 2025 Studio 7 Residency at PS Art Space and a four-month residency at Fremantle Arts Centre, where she is developing a major new body of work debuting at PS in January 2026. 

Alice Pennycott is a passionate advocate for renters and people experiencing housing insecurity. With nearly a decade of experience in residential tenancy law, she is the Principal Lawyer for the Tenancy practice at Circle Green Community Legal. In her role, Alice leads a dedicated team of lawyers, tenant advocates, support staff and volunteers, overseeing the delivery of high quality and comprehensive legal assistance services for tenants across Western Australia. Alice is deeply committed to housing justice, working to challenge inequality and achieve meaningful policy change by centring the voices and experiences of renters. Alice is actively involved in the community and participates in several key networks and campaigns, including the Make Renting Fair alliance, the WA Tenancy Network and the National Association of Renter Organisations (NARO).


Supporters

Weekends at PICA is generously supported by PICA’s Community Engagement Partner, City of Perth.