At PICA we recognise that we are situated within the unceded lands of the Whadjuk people of the Noongar Nation. We pay our respects and offer our gratitude to Elders past and present, and to those emerging leaders in the community. We acknowledge all Aboriginal and Torres Strait Islander people and the importance of their care and continued connection to culture, community and Country.

Always was, always will be.

Our foyer is open today 10am–5pm . Our exhibitions are always free.

Curu Mai: Community Day

Curu Mai: Community Day

The final event for PICA’s Curu Mai public program, presented to coincide with Salote Tawale’s exhibition I don’t see colour, we are inviting Fijian community and friends to join us for ‘Na lewe ni yagoda Sa noda i talanoa: Our flesh is our stories’ on October 4th for art making and storytelling in PICA’s reading room. Creative Producer Emele Ugavule will lead a printmaking session, where participants can create their own masi kesa inspired cards and adornment.

Curu Mai is the program of events related to Salote Tawale’s exhibition at PICA, I don’t see colour. Curated by Creative Producer Emele Ugavule, Curu Mai sees digital and physical events celebrating Fijian culture and creative practices. Spanning from digital forums to community storytelling days, Curu Mai allows for deeper engagement with the themes arising from Tawale’s exhibition, whilst providing multiple access points for all ages to learn more about Fijian culture and communities. Curu Mai means Enter or Come in in the Bauan dialect of the Fijian language, and through this program, a doorway into PICA will be opened to invite the local Fijian community to celebrate their culture while experiencing the work of one of Australia’s leading Fijian-Australian artists.


Emele Ugavule is a Tokelauan Fijian storyteller. Her research and practice area of interest is Oceanic Indigenous-led storytelling, working across live performance, film, tv & digital media as a writer, director, creative producer, performer, educator and mentor. Her work explores creative processes and outcomes grounded in Indigenous ways of knowing, and nurturing the vā where embodiment, cultural expression, digitisation and neuroscience intersect.
A graduate of the National Institute of Dramatic Arts, she has worked with various artists and organisations across Australia and the Pacific including Warner Music, Perth Institute of Contemporary Art, Sydney Opera House, Netflix & Mad Ones Films, Playwriting Australia, Art Gallery of NSW, Oceania Centre for Arts, Culture & Pacific Studies.
She is a sessional lecturer at the Western Australian Academy of Performing Arts, Lead Editor of Talanoa and the founder and director of Studio Kiin.