At PICA we recognise that we are situated within the unceded lands of the Whadjuk people of the Noongar Nation. We pay our respects and offer our gratitude to Elders past and present, and to those emerging leaders in the community. We acknowledge all Aboriginal and Torres Strait Islander people and the importance of their care and continued connection to culture, community and Country.

Always was, always will be.

Galleries are open today, 10am–5pm. Our exhibitions are always free.

Amanda Bell

Five ways to make a rainbow

Five ways to make a rainbow

Badimia Yamatji and Yued Noongar artist Amanda Bell first started making art in 2017 while working as a full-time carer for her elderly mother. During this time of intense isolation, art became an important outlet and avenue for her to explore and connect with her cultural and familial heritage. Bell has since developed an expansive, experimental practice rooted in her interests in language and its enduring powers, and in exploring new ways of telling stories – through poetry, written word and imagery, together with sculpture, sound and installation.  

Bell’s new commission Five ways to make a rainbow is the third Judy Wheeler Commission, an annual series of site-specific works that respond to the history and site of PICA. Using sunlight, sound and language, Bell’s work for PICA addresses the building’s history, acknowledging its construction on unceded land, a moment marked by colonial dispossession and violence. As Bell says, ‘In some of that story there is darkness. I will use light and sound to allow visitors to sit in discomfort. To see, feel and listen to voices and stories that linger with us today.’ 

On display throughout 2025, Bell’s installation channels and directs the sun’s light through the windows of PICA’s stairwell deep into the building’s recesses. The shifting interplay of light, sound and language with the architecture creates a captivating yet unsettling atmosphere, urging visitors to engage with their surroundings and reflect on the layered histories of the spaces we inhabit – what Bell calls ‘the very collision of building and boodja.’

About the Artist

Amanda Bell is a Badamia Yamatji and Yued Noongar artist woman living and working on Wardandi land in Goomburrup. Working with mediums such as video, sound, textiles, sculpture and installation, Bell’s wide-ranging practice is dedicated to ‘… trying new ways of telling stories that are sometimes uncomfortable and painful, sometimes fun and frivolous.’ Recent exhibitions include N’yettin-ngal Wagur – Yeye Wongie (Ancestors breath – Today talk), John Curtain Gallery, Perth (2024), South West Art Now 2024 (SWAN): A New Constellation, Bunbury Regional Art Gallery, Bunbury (2024), Emergencies (Open Borders), The Creative Corner and the Holmes à Court Gallery @ Vasse Felix (2023), KANANGOOR/Shimmer, Lawrence Wilson Art Gallery (2023), 2021 Revealed Exhibition, Fremantle Arts Centre, Fremantle (2021). In 2022, Bell was a finalist in the John Stringer Art Prize. Bell’s works are included in the State Art Collection, Art Gallery of Western Australia and City of Fremantle Art Collection.


Supporters

The Judy Wheeler Commission is made possible by the generosity of the Simpson Family.