At PICA we recognise that we are situated within the unceded lands of the Whadjuk people of the Noongar Nation. We pay our respects and offer our gratitude to Elders past and present. We acknowledge all Aboriginal and Torres Strait Islander people and the importance of their care and continued connection to culture, community and Country.

Always was, always will be.

Galleries are open 12–5pm. Our exhibitions are always free.

Rose Kingdom-Barron

Quick Response Artists-in-Residence

Quick Response Artists-in-Residence

The Wetness is a new-wave spiritual practice meets submersive performance piece by Boorloo-based artist Rose KB. An ongoing and often site-specific work, the slippery ceremony aims to connect us to the wet stuff inside and outside of us. 

Drawing from hydrofeminism, clowning and collective mythmaking, the work invites participants to tap into their own internal tides – unclogging, submerging and dissolving the boundaries between self and surrounding bodies of wetness. 

Playfully drowning us in an infinite pooling of oceanic mythologies and spa-side desires, The Wetness unfolds through participatory rituals, immersive encounters, and surreal performance. Previous site-specific editions have included an office building turned into a Wetness Centre, hotel rooms, nightclub dancefloor, gay sauna and a boat. 

The work involves a team of inter-disciplinary artists, working together to see how deep The Wetness can go. With recent showings at Fremantle Biennale’s Room Service and an upcoming season at FRINGE WORLD 2026. It’s time to seize the spray! 

About the artist

Rose Kingdom-Barron – The Wetness: is an artist and organiser living on Whadjuk Noongar Boodja. Her relational practice moves between performance, social experiment and spectacle – super-charged with irreverent pop-influenced riffing and a yearning desire to connect. Whether this is concocting a cryptocurrency based on social capital, hosting a karaoke room for 24 hours straight, running non-monotonous dating shows or developing an artist-run reality TV show on a boat. Since launching her production house/personal moniker Mummy’s Plastic in 2017, she has been making work across the country including The Wetness (Fremantle Biennale 2025, Summer Nights 2025, Brand X 2024) The Queer Woodchop (prod. PONY EXPRESS, Liveworks 2025, MONA FOMA 2023), Girly Hour (Commissioned by Audible Edge 2025), ROSE [LIVE] – too late show (Emerging Artist of the Year, FRINGE WORLD 2024), hosting karaoke (RISING Festival 2024-25) and MC’ing the Main Arena, Perth Royal Show 2025.

Ash Baroque – Dramaturg: Infamously revered as the prize vulgarian, Ash Baroque is a multi-undisciplined powder-keg performance poof and bedlam bog witch. Staggering ‘tween the tragic and the jester, the intimate and the collective, his practice sprawls over alt-drag, body weather, mime, ritual and theatre art. Drawing power through vulnerability, Ash offers tender ruminations on the human condition whilst crafting a revenge fantasy on la structure du pouvoir. Baroque pays homage to hysteria, reclaiming the individualist amidst an increasingly homogenised society. Most recently, Ash Baroque studied butoh and performed with Sankai Juku in Japan, performed at Dark Mofo festival, supported Methyl Ethel on their national tour of “Are You Haunted?”, featured in Nicholas Allbrook’s music video for Jackie and mentored the 600 Seconds Program at The Blue Room Theatre.

Mish Endersbee – Director: The Blue Room Theatre’s Director of the Year 2024. Designer and Devisor Super-Fanny-Tastic (MilkBox Theatre Co + FRINGE WORLD, 2018+2019), Director/Designer/Devisor and Producer for ARADIA (MilkBox Theatre Co + Summer Nights, 2020), Director/Designer/Devisor Leo/Taurus/Taurus (Lady Great Theatre Co + The Blue Room Theatre Summer Nights, 2022), director and collaborator on Watch + Act (Katie McAllister + The Blue Room Theatre, 2021) which was nominated for several awards including Best Direction (Blue Room Annual Season Awards) and Best Independent Production (PAWA Awards). Director Smells Like You (Lady Great Theatre co + The Blue Room Theatre). Director of sold out season of sit-specific immersive experience The Wetness Summer Nights 2025.

Jack Caddy – Designer: Graduating with a Bachelor of Fine Art from Curtin University in 2018, Jack Caddy has exhibited work at Moana Project Space for Hobiennale in TAS, Sister Gallery SA and Cool Change Contemporary in WA. His contributions also extend to being published in Island Island for Bus Projects VIC and presenting at the Revelation Film Festival Academic conference in WA. Jack has been involved in set and prop design for theatre, creating the headpieces for Fremantle Theatre Company’s Shakespeare in the Park 2021, site design for The Blue Room Theatre’s Summer Nights program 2022, 2023 and 2024 and set design for House of BOK’s production Mouth of BOK Season 2 (2023) at the Blue Room. He has worked with Rose as Designer/Technical Director since 2023 including on the award-winning ROSE LIVE.

Briannah Davis – Movement Coach: is a dancer, choreographer and producer based across Naarm & Boorloo with a Bachelor of Arts (Dance) Honours (WAAPA, 2018). As a self-producing artist, she’s performed for FRINGE WORLD Perth (2018-2025) and has worked with Stephanie Lake Company at Perth Festival, The Blue Room Theatre, Propel Youth Arts, STRUT Dance and Scott Elstermann. Recently, she was the Producer for The Blue Room Theatre & Encounter Theatre, Movement Director for Co3 Contemporary Dance’s INHOUSE Season: WHITESNAKE3000 by Zendra Giruado (2024), produced PICA Restore season (2025) and has been a Teaching Artist for Co3, WA Ballet and STRUT dance, as well as continuing her independent producing practice collaborating with a number of local multidisciplinary makers and performers.

Lia T – Sound Designer: is an electronic musician and sound artist living in Boorloo / Perth, Western Australia. Her solo work and collaborative pieces can be found on a range of labels such as Felt, Theory Therapy, Companion, Music Company, Best Effort Records and others. She has also contributed to radio stations locally and abroad such as RTRFM, NTS, Skylab Radio, Rinse FM and Kindred. Lia has worked on sound design for Vladimir Todorovic’s Algodreams (2021), Melville Midwinter for dancers Daisy Sanders and Lara Dorling (2024) and most recently for Fremantle Biennale’s Sound Sauna (2025).

Supporters

PICA’s Studio Program is supported by PICA’s Art Ambassadors.