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Second Generation Collective

Vádyé Eshgh وادی عشق  (Valley of Love)

Vádyé Eshgh وادی عشق  (Valley of Love)

Vádyé Eshgh وادی عشق  (Valley of Love)  is a major new commission by Second Generation Collective. Founded in 2020 by Iranian-Australian video artist Elham Eshraghian-Haakansson and Gujurati-Irish-Australian performer, film-maker and musician Asha Kiani, the work of Second Generation Collective highlights the lived experiences of Iranian-Australians who fled Iran during the 1979 Revolution and those of their children raised on Noongar boodja. 

Vádyé Eshgh وادی عشق  (Valley of Love) stems from an excerpt of The Seven Valleys—a book written in Persian by Baháʼu’lláh, the founder of the Baháʼí Faith, exploring the metaphorical journey of the soul through different stages of eternal life. Developed in conjunction with creative advisor, renowned WA artist Abdul-Rahman Abdullah, this powerful multi-disciplinary installation offers an emotive and layered reflection on identity, spirituality and displacement, highlighting themes of remembrance, grief and the divine nature of love. 

Comprising a major new film and accompanying wall mural by Khashayar Salmanzadeh, Vádyé Eshgh وادی عشق  (Valley of Love) traces powerful journeys of fleeing homelands, surrendering to the unknown and reuniting with divine love. Through this new commission, the Collective seeks to highlight and celebrate the profound beauty, complexity and diversity of their heritage—weaving symbolic motifs inspired by ancient Persian and South Asian aesthetics with universal human experiences of displacement, sacrifice and renewal.

The artists of the Second Generation Collective include Ashkaan Hadi, Ashton Namdar, Araan Kousari, Danny Aghaie, Karmel Faithi, Khashayar Salmanzadeh, Mandana Eizadi, Maya-Rose Chauhan, Ramona Zare, Raneen Kousari, Ryan Zare, Asha Kiani and Elham Eshraghian-Haakansson. 

Second Generation Collective: Vádyé Eshgh وادی عشق  (Valley of Love) is made possible by funding from Creative Australia’s Visual Arts and Crafts Strategy (VACS) Major Commissioning Projects Fund and is the first of the commissions to be awarded to a West Australian-based recipient.

About the artists

Second Generation Collective was founded in 2020 by Iranian-Australian Baha’i video artist Elham Eshraghian-Haakansson and performer, theatre–maker and musician Asha Kiani in collaboration with emerging artists from the Iranian-Australian community in Boorloo (Perth). Comprising migrants who fled Iran during the 1979 Revolution and their children who have grown up on Noongar boodja, the Collective encourages those who were displaced to document, share and creatively express their stories as a means of healing collective traumas and bridging generational gaps. Recent projects include ÁVÁREHآواره & FOUND, PS Art Space, Fremantle as part of the Community Arts Network and Lotterywest’s Dream Plan Do ’20 supported by Propel Youth Arts, Centre for Stories and City of Fremantle (2021); 900s (Of Storytelling), Blue Room Theatre, Perth (2021); and Delara دل آرا, Carriageworks, Sydney in partnership with Runway Journal (2021).

Elham Eshraghian-Haakansson has collaborated with arts organisations such as Next Wave, Forrest Research Foundation, SPACED, Perth Insitute of Contemporary Arts (PICA), Immerse Australia, MOORE Contemporary, Encounter Theatre and The Blue Room Theatre, among others, to direct and develop immersive cinematic and theatrical experiences. Her video art installations have been exhibited nationally and internationally, earning numerous prestigious awards and recognition for her social film practice.

Asha Kiani has been involved in storytelling projects with Centre for Stories, Perth Festival and Saga Sisterhood. In 2020, Kiani was awarded Best of The Blue Room Theatre, 600 Seconds, Perth Fringe World Festival for her debut work, Drift. Currently, Kiani works as a teaching artist for Barking Gecko Theatre Company, on the team at Blue Room Theatre and as a primary school teacher. She is also a member of Women of Music Production Perth (WOMPP) and is writing and producing her debut EP.


Supporters

This project is supported by Creative Australia’s Visual Arts and Crafts Strategy (VACS) Major Commissioning Projects Fund and through the generosity of PICA’s Art Commissioners.